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Shop Policies | Elysian Studios

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Our products are handmade with careful attention to style and durability.  They are designed to give you years of pleasure!

All of our pieces are shipped via USPS Priority mail, and packed well.  Items are shipped with delivery confirmation, and orders over $100 will be shipped with insurance.  

We will accept products back for a full refund within 30 days of purchase.  Shipping will not be refunded.  If a piece was purchased more than 30 days ago, we will repair any faulty craftsmanship, or replace your item with a similar piece.  Before a refund or replacement is given, we must have the original item returned to Elysian Studios.

Our guarantee does not cover items broken due to neglect or misuse.

We are PayPal Verified, so you can be sure your purchase will be easy and secure!

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We look forward to doing business with you, and hope you will return often!

Have a retail shop? Email Elysian Studios for wholesale pricing.

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Artists at Play: Bead Table Wednesday | Elysian Studios

Artists at Play: Bead Table Wednesday

Categories: Artists at Play, Bead Table Wednesday, beads, BTW, jewelry, tutorial

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I’ve joined the Bead Table Wednesday Flickr Group, and will be welcoming you to my studio at least once a month to update you on my most recent jewelry endeavors! 

Currently, I find myself obsessed with all things Vintaj!  I’m late to the beading party, so I have just discovered this wonderful company that offers brass components and embellishments for your custom jewelry.  Here’s the best part, most are designed to be altered!  Look out, because I am about to go crazy with stamps, inks, hammers, punches and this amazing product called “Magic-Glos.”

I am on a quest to unite my love of painting, jewelry and fibers.  This is going to look different as I move from one emphasis to the other, but I am really drawn to mixed media art.  I have created jewelry for years, but I find myself revisiting simple linking, looping and wrapping techniques.  Proficiency at basic technique is always essential, so I’m sharing these easy tutorials I practiced this week!

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2.  String the bead onto the eye pin.  Bend the looped end of the eye pin back over the top of the bead, leaving about 1/8 inch between the loop and the top of the bead.

3.  Bend the long, straight end of the eye pin so that it crosses in front of the neck of the looped end at the top of the bead, then wrap it behind.

4.  Using chain nose pliers, continue wrapping the tail end tightly up the neck of the eye pin to create coils.  Trim any excess wire with the side cutters, and tuck the end of the wire into the coils.

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You will need:  head pins, bead caps, beads, round nose pliers, side cutter pliers

1.  String the bead cap and the bead onto the end of the head pin.

2.  Using the side cutter pliers, cut the head pin approx. 1/4 inch above the bead.

3.  Use the round nose pliers ro grip the end of the eye pin, pulling toward you at a 45 degree angle.

4.  Begin turning the end of the pin away from you, using the jaw of the pliers to form a loop.  Secure the end of the loop into the bead cap.

Now you have the building blocks of linking bliss. Add some jump rings to secure your newly looped creations to bigger jump rings or chain.  I am working on a “Monet” inspired focal, which features that lovely purple key (in top photo) that I won from Love My Art Jewelry, and lots of dangling, linked beady-goodness!

What’s on your bead table? Join us!

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Featured Artist: Jacob Lawrence | Elysian Studios

Featured Artist: Jacob Lawrence

Categories: Art History, Featured Artist, February, painting

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I’ve known for years that I liked the work of Jacob Lawrence.  I’ve had the pleasure of viewing a few works in person, and his vivid color and bold graphic style comprise the type of imagery I strongly identify with, referred to as “dynamic cubism.”  When finding images for this post, however, I was literally blown away by the visual power of his body of work.

This artist, deeply influenced by the colors and shapes of Harlem, is truly an American treasure.  I have moved from “liking” to “loving.”  There are a few artists I will be obsessed with all of my creative life, and Jacob Lawrence has become one of them.

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Lawrence was not only an incredibly talented artist, recognized at sixteen by artist Charles Alston, who taught at the Harlem Art Workshop, but he was a man of remarkable character.  His work isn’t known for depicting debauchery, like many other artists, but rather for bringing national attention to important periods in African-American history.

When Lawrence attended school, African-American history was not a subject seriously pursued.  He created “The Library” to depict the crowded rooms in libraries where he would have to actively research information about his heritage.

By the time he was 23, he had already created an impressive body of work, including multiple series of paintings featuring important historical figures like Frederick Douglas and Harriet Tubman.  His sixty-panel set of paintings entitled “The Migration Series,” depicting the migration of hundreds of thousands of African-Americans from the South to the North after World War I, led him to national fame.  The work is powerful and deeply moving.

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The compositional rhythm and vibrant colors in “The Seamstress” create such a beautiful picture. This is one of my favorite pieces!  You can appreciate Lawrence’s work from a completely aesthetic viewpoint, let alone knowledge of the history behind the images.  That is what makes him an artistic genius!

Having attained national fame for his work, Lawrence still decided to bravely serve his country in October of 1943, when he enlisted in the United States Coast Guard and served with the first racially integrated crew on the USCGC Sea Cloud.  In 1970, the NAACP awarded this admirable artist with thin Spingarn Medal to recognize a life of outstanding achievements as a artist, teacher and humanitarian. The list of other recipients of this medal is astounding!

When Lawrence died in 2000, he was hailed by the New York Times as “One of America’s leading modern figurative painters,” and “among the most impassioned visual chroniclers of the African-American experience.”  He is truly an artist to be admired and greatly respected.

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